Degeto, ProSieben, Sat1

Magic Flight Film, FlorinFilm, Feine Filme, Stream Films, Opal Film, Zentropa Entertainments, Boje Buck, Dt. Columbia Pictures, ndF, Road Movies, Nostro Film, AV Independents, Savage Film (Be), Macchiato Film, Herbstfilm, Granada, Kultos AG, Sting, Tele München, Film 77,, Little Black Fish, TamTam Film; Niko Film, Lichtblick Film, Flare Film, Aldabra Films (F) . . .

Neue Kinowelt, Kinowelt, Concorde, Delphi, Studiocanal

EACEA MEDIA Program and Creative Europe, Eurimages, Nipkow Program, Filmboard Berlin-Brandenburg, Cinerenta, ViF, BKM, MFG

Publishers and Literary Agencies
BKP, Felix Block Erben, Liebmann AG, Gudrun Hebel, Aufbau

Novelists, Screenwriters, Authors
Catalin Dorian Florescu, Bernd Kaufmann, Renate Klöppel, Sylke Enders, Claus Litterscheid, Steven Trop, Tillmann Roth, Helmut Beger, Claudia Schilinski , Matthias Brockmann, Wim Vandekeybus, David Dusa, Hans van Nuffel, Marcus Patrick Rehberg, Yilmaz Arslan, Aysun Bademsoy, Thomas Bauermeister, Markus Imboden, Stefan Hering, Renata Keller, Prof. Dr. Wilhelm Schmid, Eveline Stähelin, Josy Meier, Maeve McQuillan, Rebecca Innes, Emily Reimer-Jass . . .

European Women´s Audiovisual Network


Feedback From My Clients:

„The writing session with the French-Hungarian screenwriter David Dusa and the German script consultant has enabled us to strengthen and polish the film’s structure and further develop the characters in our final draft.“
„Script consultant Suzanne Pradel’s analysis questioned many aspects of our story, the rewrite leading to a much needed simplification of the narrative, a reduction in the number of characters, while enhancing the development of the main characters“

Bart von Langendonck (Savage Film Belgium) about the work on the screenplay „Galloping Mind“ by Wim Vandekeybus

“The story, the script, was already built, so it’s not easy to get back inside the writing process. Like a surgeon, Suzanne came in our story, operating with skills to help us, by giving clear suggestions while respecting our own identity and sensibility. Amongst all her advice, she made two majors suggestions:The first one was the small details you don’t really pay attention to, but that make the whole difference. Your idea is good, but Suzanne just brings your script to a higher level with those details, making it more mature and successful.The second one was giving us the most valuable thing, the assurance and self reliance necessary to stand up and fight for our idea what ever the colour of skin, the ethnicity or gender of our characters.”
Murielle Thierrin (Aldabra Films Paris) about the work on her screenplay “Sugarcane” which has been selected for EWA´s first female scriptwriter´s residency in Berlin.

„It was very nice to work with you. Many times in my life I’ve sat on your side of the desk (helping other writers, or teaching, or helping students with their script-thesis), and every time I meet someone advising me on my writing I try to learn the most, not only form their notes, but also the way the notes are delivered. And after a day with you I learned a lot.“
Carlos Morelli (Mexican Director and DAAD artist-in-residence in Berlin)

„Dear Suzanne, this was a very good meeting. We were writing until the last second.“
Nicole Gerhards (NiKo Film) after a 5 hours consulting session with Suzanne Pradel