{"id":88,"date":"2021-08-16T11:06:17","date_gmt":"2021-08-16T09:06:17","guid":{"rendered":"http:\/\/trywww.buchscout.net\/?page_id=30"},"modified":"2024-03-12T11:09:16","modified_gmt":"2024-03-12T10:09:16","slug":"filmography-suzanne-pradel","status":"publish","type":"page","link":"https:\/\/buchscout.net\/en\/filmography-suzanne-pradel\/","title":{"rendered":"Filmography Suzanne Pradel"},"content":{"rendered":"

\"\"<\/span><\/p>\n

\"\"<\/a><\/span><\/strong><\/h3>\n

Filmography Suzanne Pradel<\/span><\/strong><\/h3>\n

 <\/p>\n

SCRIPT CONSULTING \/ SCRIPT DEVELOPMENT<\/b>\u00a0(a selection)<\/p>\n

For more than one analysis, to monitoring an entire project
\n<\/i>__________________________ _________________________________________<\/b><\/span><\/p>\n

2022\/23<\/strong><\/p>\n

“Ingeborg Bachmann – Reise in die W\u00fcste”<\/strong> (drama), based on a project idea of Suzanne Pradel, author & director: Margarethe von Trotta, roduktion: Heimatfilm, Tell Film, Amour Fou, distributor: Matchfactor, Festival: Berlinale Competition 2023<\/p>\n

\u201eLittle Loves\u201c<\/b> <\/b>(drama); author & directo: Celia Rico; <\/b>production: Arcadia Motion Pictures (Spanien) in coproduktion with Noodles Production (France); winner of the 4th “Female Scriptwriter\u2019s Residency in Berlin des European Women\u2019s Audiovisual Network (ewa) & BuchScout Agency 2020; supported by Creative Europe; Catalan film fund and des Catalan TV, theatrical release: 2023<\/p>\n

“Blind Spot”<\/a><\/strong>, (documentary) by Liz Wieskerstrauch, production: Flemming Production Hamburg; supported by: Karo e.V.; DGTD Dt. Gesellschaft f\u00fcr Traum & Dissoziation; MH Akademie, Michaela Huber, Cara -care about ritual abuse, Ankerland – Help for traumatized children, Vitarium, Solwodi e.V. – solidarity for women in distress; Opferhilfe Sachsen e.V., Heidehof Stiftung, Genius Verlag, Deutsche Kinderhilfe e.V., Schutzinsel, train, We Protect Kids. status: In financing<\/p>\n

\u201eRussia \u2013 Putin Judge & Jury\u201c <\/b>(documentary) by the journalist Nick Goldsmith, p: BuchScout Agency Suzanne Pradel; Status: in trailer production<\/p>\n

\u201eRuby\u201c<\/b> (dramedy), author: Chris Rubino, directorr: Silvana Santamaria, production: Soilfillms Germany, Wady Films Luxembourg, supported by Luxembourg Film Fund; in script development<\/p>\n

\u201eNettlewooz\u201c<\/b><\/a> (children animation) a: Stefan Seitz, children\u2019s book adaptation. In commission.<\/p>\n

\u201eLores Zuhause\u201c<\/b> (family dramedy) author & director: Maria Hengge, in script development<\/p>\n

2021<\/strong><\/p>\n

“Tr\u00fcmmer”<\/strong> (historical drama series)
\nCreated by Emily Reimer & Suzanne Pradel, p: Dor Film; funded by the Hamburg Schleswig Holstein film fund, status: in development<\/p>\n

\u201eApril in Paris\u201c<\/b> (love drama) a: Michael Wallner + Marc Brummund; d: Marc Brummund; p: Heimathafen Film; status: novel-to-film-adaptation, status: in financing<\/p>\n

2019\/ 2020<\/strong> <\/b><\/p>\n

\u201eVera dreams of the sea\u201c<\/b><\/a> (dramatic thriller); a: Doruntina Basha; d: Katrina Krasniqi; p: Isstra Creative Factory (Kosovo); \u00a0status: premiere at Orizzonti Competition at Venice 2021, Tokyo Film Festival 2021,\u00a0Mostra Internacional de Cinema \/ S\u00e3o Paulo 2021\/\u00a0CinEast Film Festival Luxembourg 2021\/\u00a0Arras Film Festival 2021\/\u00a0Thessaloniki International Film Festival 2021 \/\u00a0\u00a0International Competition at the Cairo International Film Festival ’21 and many more
\n\u2b50\ufe0fPost Republic Award – 26th Sarajevo Film Festival \/ \u2b50\ufe0fInclusion Edipo Re Award & \u2b50\ufe0fAuthors under 40 Award – Orizzonti Competition at Venice 2021 \/ \u2b50\ufe0fGrandPrix – Tokyo International Film Festival 2021 and many more<\/p>\n

“Bionic”<\/strong><\/a> (thriller series); a: Dani Purer, Regine Anour; dramaturgical script consulting for the winner of the “Heldinnen in Serie”<\/a> programme – a cooperation of Drehbuchwerkstatt Wien and Austrian Industrie Service (AWS), status: in development<\/p>\n

\u201eLittle Loves\u201c<\/b> <\/b>(drama); a+d: Celia Rico; <\/b>P: Arcadia Motion Pictures (Spain) in coproduction with Noodles Production (France); Mentoring for 4. Female Scriptwriter\u2019s Residency in Berlin of the European Women\u2019s Audiovisual Network (ewa); supported by Creative Europe, the Catalan film fund and the Catalan TV, status: in pre-productiom<\/p>\n

\u201eSnow on Beara\u201c <\/b>(dramedy), a+d: Oonagh Kearney; Mentoring for 4. Female Scriptwriter\u2019s Residency in Berlin of the European Women\u2019s Audiovisual Network (ewa); funded by Screen Ireland, status: in development<\/p>\n

2018<\/b><\/p>\n

\u201cLittle Peter\u00b4s Journey to the Moon\u201d \u00a0<\/b><\/a>(family entertainment)
\nd: Ali Samadi Ahadi; p: Little Dream Entertainment; w: Andre Nolting & Ali Samadi Ahadi; VFX-Studio: Red Parrot Studios; ZDF, project status: in production, theatrical release: 4\/2021<\/p>\n

\u201cIt\u00b4s Bonny By The Sea\u201d<\/b>\u00a0(dramedy)
\nw: Rebecca Innes
\nDramaturgical script consulting \u201cYoung Talents\u201d for the European Women\u00b4s Audiovisual Network (ewa), project status: in development<\/p>\n

\u201eTestosterone \u2013 The Fragile Beauty of Masculinity\u201c<\/b> \u00a0<\/a>(drama)
\nw+d: Andrea Culk\u00f3va, p: Duracfilm
\nDramaturgical-strategical script consulting for the second Female Scriptwriter Residency in Berlin of the European Women\u00b4s Audiovisual Network; project status: in development<\/p>\n

2017
\n<\/b><\/p>\n

<\/b>\u201eOdyssee\u201c<\/b>\u00a0(drama)
\nd: Issaka Traor\u00e9 de Brahima: p: Aldabra Films (France) & Sahel Films (Burkina); dramaturgical consulting in the editing; project status: blocked because the dead of the director<\/p>\n

\u201eSelf-Acceptance \u2013 Making Life Easier\u201c <\/b><\/a>(philosophical non-fiction book)
\nby the Bestseller Author Wilhelm Schmid, published by Suhrkamp\/Insel in March 2018<\/p>\n

\u201cSugarcane\u201d <\/b>(drama)
\nw: Murielle Thierrin; p: Aldabra Films
\n<\/b>First Female Scriptwriter Residency in Berlin by the European Women\u00b4s Audiovisual Network (EWA)<\/a>; project status: rewrite & financing<\/p>\n

2016
\n<\/b><\/p>\n

<\/b>\u201cWhy Women Need To Climb Mountains\u201d<\/b><\/a>\u00a0(documentary)
\nabout\u00a0the life and work of the female historian and political activist Dr. Gerda Lerner\u00a0directed w+d Renata Keller; p: Vertical Impulse; DVD distributed by Absolut Medien, invited by the UN in Paris<\/p>\n

\u201cUnderstand life<\/b><\/a>\u201c<\/b><\/a>\u00a0<\/b>(non-fiction book)
\nby Wilhelm Schmid released on 12\/09\/2016 on Suhrkamp\/ Insel<\/p>\n

2015<\/b><\/p>\n

\u201eI\u2019m Away Now\u201c<\/b><\/a> (comedy)
\nNovel-to-film adaptation of the best-seller by Hape Kerkeling
\nw: Jane Ainscough & Rolf Silber; p: UFA with Feine Filme. Release in December 2015 with more than 1 mio. cinemagoers in Germany<\/p>\n

\u201eSexOut \u2013 And The Art Of Starting Fresh\u201c<\/b>\u00a0<\/a>(philosophical non-fiction book)
\nby the Bestseller Author Wilhelm Schmid, published by Suhrkamp\/Insel in June 2015<\/p>\n

\u201eGalloping Mind\u201c<\/b><\/a>\u00a0(episodical drama)
\nd: Wim Vandekeybus; P: Savage Film Belgium; selected Karlovy Vary Film Festival 2016, FilmFestival Cottbus 2016.<\/p>\n

\u201cSch\u00f6nefeld Boulevard\u201c<\/b>\u00a0(dramedy)
\n<\/span>w+d: Sylke Enders, Coproduced by RBB, WDR; Credo:film, arte, Ester.Reglin.Film. Theatrical release: September 2014. Selected for the \u201eLola\u201d at the Berlinale\u201c 2015, and prenominated for the German Film Prize 2015.<\/p>\n

2014<\/b><\/p>\n

\u201eWhat We Can Gain When We Grow Older \u2013 On Gelassenheit\u201c<\/b><\/a>
\nNon-fiction book by the German philosopher Wilhelm Schmid, published in March 2014 by Suhrkamp\/ Insel. Spiegel best-seller list 2014-2015, recommended by the critic Dennis Scheck.
\n\u201e\u2026 (Schmid) writes clearly and unmistakeable, without appearing banal at any time or to stay too long with matters of course. Philosophy wins back its original purpose\u201c<\/i>, \u00a0by Thomas Gross. FAZ 14.05.2014<\/p>\n

\u201eMother\u201c<\/b>\u00a0(short)
\nw+d: Guilvic Le Camp, p: Paris-Brest Production (F), Short Film Festival Brest 2015<\/p>\n

2013<\/b><\/p>\n

\u201eIt \u0301s Your Turn\u201c<\/b>\u00a0(TV drama)
\nw+d: Sylke Enders; p: Zentropa Entertainments Berlin; selected by Munich Film Festival 2013. Recognized as a high quality TV film by many critics. Winner of the Juliane Bartel Media Award 2014.<\/p>\n

2010 + 2012<\/b><\/p>\n

\u201eHanni and Nanni\u201c I+II<\/b> (family entertainment)
\nNovel-to-film adaptations based on Enid Blyton\u2019s bestselling book series \u201eThe Twins at St. Clare\u2018s\u201c \u2013 \u201eHanni and Nanni I\u201c was one of the most successful German film releases in 2010, d: Christine Hartmann; P: UFA Cinema and Florin Film.<\/p>\n

2009<\/b><\/p>\n

\u201eDeutschland 09\u201c <\/b>(13 short films)
\nby German film directors such as Tom Tykwer, Fatih Akin and many more; a film panorama depicting the social and political situation in present-day Germany: episode by Sylke Enders, p: Heimat Film<\/p>\n

 <\/p>\n

SCRIPT ANALYSIS <\/b>(a selection)
\n___________________________________________________________________<\/b><\/span><\/p>\n

Innumerable analyses for Production Companies, Distributors, Film Fonds and German Funds. A multitude of analyses for German TV broadcasters<\/b>. Over 300 scripts and projects for several National and\u00a0<\/strong>European Film Funds<\/b>.<\/p>\n

For Example:<\/p>\n

\u201eTom Sawyer\u201c<\/b> (Family Entertainment), d: Hermine Huntgeburth, P: Neue Sch\u00f6nhauser<\/p>\n

\u201eFenster zum Sommer\u201c<\/b> (Drama), d: Henrik Handloetgen, p: Zentropa Berlin<\/p>\n

\u201eCheyenne\u201c<\/b> (Drama) d: Sorrentino, p: int. coproduction<\/p>\n

\u201eA Dangerous Method\u201c<\/b> (Biopic), d: Cronenberg, P: int. coproduction \u201eCarnage\u201c<\/b> by Roman Polanski, P: int. coproduction<\/p>\n

\u201eLoveless\u201c <\/b>(drama) d: Andrey Zvyaigintsev; b: Oleg Negin, Andrey Zvyagintsev, P: int. coproduction<\/p>\n

\u201eK\u00fcstenwache\u201c<\/b> (TV Series) d: various, p: Opal Film, ch: ZDF, over 20 episodes . . .<\/p>\n

 <\/p>\n

LECTURES & WORKSHOPS & PANELS & JURYS
\n<\/b>___________________________________________________________________<\/b><\/span><\/p>\n

2023<\/strong> Jury for the best screenplay at the Achtung Berlin Film Festival<\/p>\n

2022 <\/strong>Workshop\u00a0at the 1. American Writers Lab (TWL) in Europe, <\/strong>Lecturer:\u00a0Susanne Bier,\u00a0Jasmila \u017dbani\u0107, Isabel Coixet\u00a0,\u00a0Nadine Labaki,\u00a0Agnieszka Holland,\u00a0Jantje Friese,\u00a0Christina Ham,\u00a0Ameenah Ayub Allen, Suzanne Pradel<\/p>\n

2019<\/strong>\u00a0Lecturer at the Workshop for the Pitching Platform \u201eBosphorus Film Festival\u201c<\/b>, Istanbul<\/p>\n

2018<\/b> <\/b>Member of the Pitching Jury and Speaker at the Bosphorus Film Festival and
\nBosphorus Film Lab:<\/b> Talks: Principles of Screenwritin
\n\u201cWhat are essentially the project development platforms?\u201d, \u201cWhat is the purpose?\u201d, \u201cTo whom, where and how can you present your project in an effective manner?\u201d We will search for the answers together with the representatives of Bosphorus Film Lab, Torino Film Lab, and Palestine Film Lab.\u00a0<\/span><\/p>\n

2018<\/b> Member of the Jury Feature Film at the <\/b>23. T\u00fcrkei Deutschland Filmfestival<\/b><\/a><\/p>\n

2018 \u201cThis is a man\u00b4s and woman\u00b4s world\u201d<\/b> \u2013 developing powerful female and male characters – Lecturer at EAVE Producers Workshop<\/b><\/p>\n

What impact do patriarchal thought patterns have on character development? As filmmakers, how do we influence the fictional presentation and perception of women and other social groups by our use of images and sound? Do we simply reproduce old ways of thinking through our approach to presenting protagonists in our stories? What are the new tools for shaping characters in a more balanced way? What does it mean to activate a more feminine gaze on the world no matter whether you are a man or a woman? How we can help give birth to new perspectives on ourselves and others?<\/p>\n

2017<\/b> \u201cRethinking the role of women in cultural and media professions: A European comparison\u201d<\/b><\/a> – Speaker at the Hertie School of Governance
\n<\/b>Which concrete measures are most effective to dismantle the glass-ceiling and to advance gender equality?<\/p>\n

Panel with: Eva Fehringer (Council of Europe),\u00a0Lisa Jordan (Porticus Foundation),\u00a0Els van der Plas (Dutch National Opera & Ballet),\u00a0Suzanne Pradel (BuchScout Agency, EWA)<\/p>\n

2017<\/b> Speaker at <\/b>\u201cContent with a regional identity for the film and TV market\u201d<\/b><\/a> at the Filmfest Mecklenburg Vorpommern
\n<\/b>Panel with:\u00a0Elke Haferburg (NDR Funkhauses MV),\u00a0Sylvia Ble\u00dfmann (ZDF-Landesstudio in MV),<\/p>\n

Dr. Susanne Eichner (University Aarhus),\u00a0Bettina Offermann (LOOKS International),\u00a0Suzanne Pradel (BuchScout Agency)<\/p>\n

2017<\/b>\u00a0Jury Member at Belgrade Fast Forward: \u201cWomen in Film Best Pitch Award\u201d<\/b><\/p>\n

The first Women in Film Best Pitch Award\u00a0 by Film Center Serbia and the European Women\u00b4s Audiovisual Network (EWA).<\/p>\n

The jury for the section Women in Film will be the Serbian actress Mirjana Karanovic, the Bosnian producer Amra Baksic Camo and Suzanne Pradel.<\/p>\n

2016 \u201cWorking With A Script Consultant\u201d Speaker at Antalya Film Festival<\/b><\/p>\n

Panel with Anne Gension (ScriptHouse), Dimitris Yatzouzakis (Mediterranean Film Institute), Suzanne Pradel (BuchScout Agency)<\/p>\n

2016 Jury Member at\u00a0Pitching Platform at the Antalya Film Forum<\/b><\/p>\n

Jury: Latina Mitevska (Sisters and Brother Mitevski \u2013 Producer);\u00a0Arben Zharku (Kosovo Cinematography Center \u2013 Director) and Suzanne Pradel\u00a0(BuchScout Agency \u2013 Script Consultant)<\/p>\n

Price: \u20ac30.000.- for the project\u00a0SISTERS of the director Emin Alper and the producer Nadir Operli (Liman Film).<\/p>\n

2016 Script consulting at \u201eMultiple Revenue Stream Training For Future Films\u201c in Pisa
\n<\/b>How should materials be remodeled for the new financing and distribution channels? What effect does that have on material development? – Training program to the European Women\u2019s Audiovisual Network (ewa), sponsored by MEDIA<\/p>\n

2015-2016 Lecturer \u201cMedia Literacy For Refugees\u201d at VHS Berlin<\/b><\/p>\n

How do I use modern media to help me cope in German society? Where do I get my information in a country foreign to me? – 3-months workshop.<\/p>\n

2015<\/b> \u201eNovel to Film Adaptation\u201c – Lecturer at SAE Alumni Convention\u00a0<\/span><\/b><\/p>\n

What are the benefits of an adaptation, and what are the pitfalls to be avoided? What are the steps in the process, from choosing the right novel, the acquisition of rights and negotiation of contracts, to the completion of the film?<\/p>\n

2013<\/b> SchoolWorkshop:<\/b> \u201eHow To Develop An Adventures Film?\u201c<\/b>
\nTogether with the 6th grade class at the Zille Primary School in Berlin, Suzanne Pradel undertook an exciting journey into the world of film. From writing a screenplay to shooting and editing the film, their hands-on experience gave these young film fans a grand introduction into the process of film making. The finale was the theatrical screening of their film \u201eThe Stick \u2013 And The Shattered Class\u201c<\/b> at the John- Lennon-School \u0301s Film Festival at the Berlin cinema Babylon Mitte.<\/p>\n

2008-2011<\/b> Lecturer for Script Development at the\u00a0<\/b>Film Acting School Berlin<\/b><\/a><\/p>\n

2007-2008<\/b> Tutor for Script Development at <\/b>Film School Hamburg-Berlin und Member of the Jury<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Filmography Suzanne Pradel   SCRIPT CONSULTING \/ SCRIPT DEVELOPMENT\u00a0(a selection) For more than one analysis, to monitoring an entire project __________________________ _________________________________________ 2022\/23 “Ingeborg Bachmann – Reise in die W\u00fcste” (drama), based on a project idea of Suzanne Pradel, author & director: Margarethe von Trotta, roduktion: Heimatfilm, Tell Film, Amour Fou, distributor: Matchfactor, Festival: Berlinale Continue reading <\/i><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-88","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/pages\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/comments?post=88"}],"version-history":[{"count":56,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/pages\/88\/revisions"}],"predecessor-version":[{"id":1217,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/pages\/88\/revisions\/1217"}],"wp:attachment":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/media?parent=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}