![\"\"](\"http:\/\/buchscout.net\/wp-content\/uploads\/2019\/11\/safe_image-1.php_-300x156.jpeg\")
<\/p>\nCelia Rico,\u00a0The Little Loves<\/em><\/h2>\nCelia\u00a0Rico\u00a0Clavellino (1982) is a Spanish screenwriter and filmmaker graduated in Media Studies and Comparative Literature. She also has a postgraduate in Script Editing and a PhD in Film Theory.<\/p>\n
\u201cJourney around a Mother\u2019s Room\u201d<\/em> her first feature film, premiered at San Sebastian Film Festival in 2018. The script participated in the Script Station of Berlinale Talents 2015. Her previous work as a director was \u201cLuisa is not home\u201d, a short film that participated in the Official Selection of La Biennale di Venezia, in the Cannes Short Film Corner and in other important national and international film festivals. Between other awards, it won a Gaud\u00ed (Catalan Cinema Academy Awards) as a best short film in 2013.<\/p>\nShe is the scriptwriter and co-director of the project “Mironins”, an animated TV series for kids (currently in development) with the collaboration of Joan Mir\u00f3 Foundation. Celia\u00a0has worked as an assistant to Claudia Llosa, and was the Second Unit Director on her latest film, \u201cAloft\u201d. She has directed the project \u201cFilm Diaries\u201d, an experimental documentary project for old women social integration, in collaboration with La Caixa Foundation and Barcelona City Council.<\/p>\n
She has worked for several Spanish film companies such as Arcadia Motion Pictures (\u201cBlancanieves\u201d, \u201cAloft\u201d, \u201cBlackthorn\u201d) or Oberon Cinematogr\u00e0fica (\u201cThe Milk of Sorrow\u201d, \u201cChildish Games\u201d, \u201cElisa K\u201d).<\/p>\n
SELECTED PROJECT:\u00a0 THE LITTLE LOVES<\/em><\/h3>\nAni (70) takes a fall walking her dog and breaks her femur. Her daughter Teresa (42), who lives in the city, changes her vacation plans and moves into her mother\u2019s house in the countryside to look after her until she can walk again.<\/p>\n
For the first time in many years, mother and daughter spend day and night together. The mother is completely dependent on her daughter, who is useless at housework, and the daughter fully immerses herself into the temporality of her mother, whose griping is insufferable. To make matters worse, the heat is suffocating, and the threat of a summer storm looms heavily in the air they breathe, already dripping with mutual disapproval, memories, and the constant doubting of each other\u2019s decisions. Teresa, childless and without a steady partner, ferociously defends her independence. Ani, widowed and with the sole\u00a0company of her dog \u2013who\u2019s been missing since her fall\u2013, still harbours the hope that her daughter will not be alone in the future. Otherwise, who will look after her when she, too, takes a fall in her old age?<\/p>\n<\/div>\n<\/div>\n
\n\n![\"\"](\"https:\/\/www.ewawomen.com\/wp-content\/uploads\/2019\/11\/celia-rico-clavellino-hasta-que-las-mujeres-no-tengamos-la-posibilidad-de-escribir-y-de-dirigir-nuestras-peliculas-ciertos-temas-no-se-abordaran-e1574511087384.jpeg\")
<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n\n\nGeraldine Creed,\u00a0WANT<\/em><\/h2>\nShe is a filmmaker and writer with vast experience of both drama and documentary production. My most recent documentary Mercury 13 was made for Netflix in 2018. My promo for the film won the \u201cCuban Hat for Best Pitch\u201d at the Hot Docs International Documentary Festival, Canada in 2015. I have a keen sense of narrative and an exceptional visual flair. My experience of film and media production is extensive from feature films to factual and observational documentaries to arts and history documentaries. Currently, I am developing two feature film scripts Want ( formerly Nightcrawler) and Mercury Rising, both have received financial support from Screen Ireland.<\/p>\n
SELECTED PROJECT: WANT<\/em><\/h3>\nJess Whelan has an eating disorder. Her mother, a nurse, cannot accept this. They are trying to rebuild their lives after Jess\u2019 latest hospitalisation. Single parent, Bee works shift hours in a local old folks home while Jess returns to school\u00a0but is expelled for putting her hand through a window. When a tree is felled on their housing estate, Jess finds an old ivory comb nearby. She also finds Anna, a brash and out-going ally. The girls attempt to out do each other with obsessive starvation. They meet Red (a local council worker), at a niteclub. Red takes things too far with Anna.<\/p>\n
Meanwhile, Bee is getting grief from the bank and education officers but still no support for Jess, who is on a waiting list for a referral to a psychologist. Bee decides to investigate returning home to Canada \u2013 at least they\u2019ll get more support for Jess there. Red turns up at Jess\u2019 house and rapes her, Anna helps her kill him. They bury\u00a0the body in the area where Jess found the ivory comb. Jess meets Billy, a local boy\u00a0who tells her that the school and surrounding housing estate used to be a workhouse in famine times. Bee wears the ivory comb to work one evening and an elderly patient tells her it should be put back where it was found, no good will come of it, its a death\u00a0comb, she warns. One evening, Billy and Jess discover the cops digging up the green area. When Jess hears a body has been found, she panics. At home, Bee is waiting for\u00a0her. She has uncovered Jess\u2019 diary and realises that her daughter is in a psychotic state. Anna and Jess are one and the same person. With the police closing in, Bee decides to make a break for Canada earlier than planned. At the airport, Bee and Jess hear that a famine burial mound has been revealed on the site where Red was buried.<\/p>\n
A jet stream rises high into the sky, the famine woman looks up and smiles, we see blood dripping from her mouth. Beside her, in the bushes, sits Red\u2019s baseball hat.<\/p>\n<\/div>\n<\/div>\n
\n\n![\"\"](\"https:\/\/www.ewawomen.com\/wp-content\/uploads\/2019\/11\/GCReed2.jpeg\")
<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nKatharina Suckale,\u00a0BETWEEN OUR WORLDS<\/em><\/h2>\nAfter her masters at the University Paris IX, Dauphine\u00a0Katharina\u00a0started in film distribution and sales at MK2 – Marin Karmitz in Paris 1988, moving to film production in Toronto, Canada, where she got to know the American film business. She has been working on the sets in feature film and TV-production in Europe over 16 years, also directing documentaries, short and experimental films.
\nFurhermore, she was producing under her own banner in Germany, France, Italy, Africa and India. She developed and wrote feature films for the cinema and developed concepts for TV and internet in cooperation with German, French, Italian and Indian producers, channels, studios and web platforms. 2011 she founded the production company Bombay Berlin Film Productions with Arfi Lamba, based in Berlin, Germany and Mumbai, India.<\/p>\n
SELECTED PROJECT: BETWEEN OUR WORLDS<\/em><\/h3>\nThe deserted countryside of Maharashtra. An Indian farmer, his wife and four children are eating plain rice in their small hut. Suddenly he starts vomiting and dies on the spot. While his wife still desperately tries to save him, her son discovers that his father has put pesticides in his own rice.<\/p>\n
Johanna (35), a warm-hearted and ambitious lawyer is working in Berlin, where the Rondo\u00a0headquarters are based in a majestic skyscraper at Potsdamer place overlooking the city. As\u00a0the most senior lawyer at Rondo, she will fight a case in which Rondo is accused of suicides committed by 300.000 Indian farmers between 1998 and now, as a result of the companies genetically modified, high yield seed schemes. Being informed by her boss Mr. Schneider (65) that she is a runner up for the Board of Directors, this case is a great chance to push her\u00a0career, or break it.<\/p>\n
At the steps of the International Court of Justice in The Hague she has a first encounter with\u00a0her opponent Shaantanu (39), at which Johanna makes it clear that it is not Rondo Agricorp,\u00a0but the corrupt Indian political system, the uneducated farmers and the greedy moneylenders\u00a0that have caused the wave of suicides.<\/p>\n<\/div>\n<\/div>\n
\n\n![\"\"](\"https:\/\/www.ewawomen.com\/wp-content\/uploads\/2019\/07\/Suckale-photo.jpeg\")
<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nKirsi Liimatainen, with TERKKU<\/em><\/h2>\nKirsi\u00a0Marie Liimatainen was born in Finland in 1968. She has MA degree in Theatre and Drama studies of the University of Tampere. From 1991-1999, she worked as an actress in films, television and in theatres in Finland.
\nFrom 1999-2006, she studied directing at the Potsdam-Babelsberg Academy of Film and Television.\u00a0Kirsi\u00a0Marie Liimatainen was awarded scholarships by the DEFA-Foundation, the Nipkow-Program, the Academy of Arts in Berlin, the Finnish Cultural Foundation and took part in the Residence program of the Cannes film festival, C\u00c9CI, Binger Film Lab, Torino Film Lab and the Residence program Saari of the KONEFoundation.<\/p>\n
SELECTED PROJECT: KERTTU<\/em><\/h3>\nKERTTU (65) comes to the end of her career as a Finnish language and literature teacher in a high school in Southern Finland. Retirement brings long awaited freedom, but also a surprising feeling of loneliness. Kerttu\u2019s husband, SEPPO (67) is still working as a specialist in paper mill engineering and often travels abroad. Kerttu\u2019s grownup daughters, SOFIA (35) and ANNA (32) have their own busy independent lives. Anna is pregnant and even though Kerttu knows her daughter will soon need help with the baby, she feels that her life has become meaningless. She wonders what happened to the young idealistic hippie couple – she and her husband Seppo – and how they became middle class, overweight and old.<\/p>\n
Out shopping in the city center with her best friend PIRKKO (63), Kerttu meets PEKKA (32) who is collecting money to help asylum seekers. Pekka tells the women that he is doing a volunteer job at a local reception center. Pirkko is skeptical, but Kerttu is impressed by his youthful idealism. When Kerttu takes the leaflet in her hand, little does she know that everything she takes for granted will be changed forever.<\/p>\n
Kerttu and Pekka get to know one another and despite the fact that Kerttu’s husband and her daughters are opposed to the idea, Kerttu starts working as a Finnish language teacher at the reception center. When an Afghan family is threatened with forced repatriation, Kerttu takes action. Together with Pekka, Kerttu hides the family in a summer cottage on the outskirts of the city. Kerttu\u2019s husband Seppo gets wind of the plan and threatens to report her to the police. The married couple \u2013 former members of the \u201968 student movement – now stand against each other, no longer side by side.<\/p>\n<\/div>\n<\/div>\n
\n\n![\"\"](\"https:\/\/www.ewawomen.com\/wp-content\/uploads\/2019\/11\/Kirsi-Marie-Liimatainen-1080x675.jpg\")
<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nOonagh Kearney, with SNOW on BEARA<\/em><\/h2>\nWith a BA in English and Philosophy from University College Cork and M.Phil in Irish Theatre from Trinity College Dublin,\u00a0Oonagh\u2019s passion for directing was sparked when she got the job as casting director to Ken Loach on his Palm d\u2019Or winning THE WIND THAT SHAKES THE BARLEY in 2005. Since graduating from the NFTS in London,\u00a0Oonagh\u00a0has written and directed several award-winning short films, a Reel Art funded feature documentary and TV pilot for RTE. She shadow-directed on the comedy drama series CAN\u2019T COPE WON\u2019T COPE with Deadpan Pictures in 2016 and her most recent short film FIVE LETTERS TO THE STRANGER WHO WILL DISSECT MY BRAIN won Best Director of an Irish Short at the 2018 Cork International Film Festival, Discovery Award and Best Irish Short film at the 2019 Dublin International Film Festival, and Best Short Screenplay at the Irish Writers Guild Awards in June 2019.<\/p>\n
As a writer,\u00a0Oonagh\u00a0has participated\u00a0in several Screen Skill Ireland initiatives, Berlinale Talents, She Writes and the \u2018Apulia Experience\u2019 a five-week international TV writing workshop.\u00a0Oonagh\u2019s\u00a0 feature screenplay SNOW ON BEARA was selected for the Athena IRIS Screenplay Lab in NYC and the BBC Drama Writers Room in 2017 and is in development with Screen Ireland. From January to May 2019,\u00a0Oonagh\u00a0was writer-in-residence at Carlow College.<\/p>\n
SELECTED PROJECT: SNOW ON BEARA<\/em><\/h3>\nIn the wilds of Beara, a remote peninsula in West Cork, three women, English surgeon ESTHER (44), local postmistress NELL (36) and local teenager JO-JO (19), meet on a cliff following a near fatal car accident. While trying to get to the nearest village to find Esther a place to stay, things don\u2019t go to plan and they end up stuck on Nell\u2019s tractor looking for shelter to ride out a massive snow storm. Set in the forty-eight hours when their chaotic lives overlap, we are brought on a wild journey through their personal crises, all of which relate to mothering. To survive the night, they must not only work together, but support each other, as they face painful truths about themselves, the past, and the lives they still hope to lead. In Ireland, snowstorms are rare.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I look forward to be working with two of these talented female screenwriters during the Berlinale residency of the European Women’s Audiovisual Network (EWA). Selection will be out soon. Celia Rico,\u00a0The Little Loves Celia\u00a0Rico\u00a0Clavellino (1982) is a Spanish screenwriter and filmmaker graduated in Media Studies and Comparative Literature. She also has a postgraduate in Script Continue reading <\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[188,160,131,117,146],"class_list":["post-1089","post","type-post","status-publish","format-standard","hentry","category-buchscout-news","tag-buchscout-agency","tag-buchscout-agentur","tag-european-womens-audiovisual-network","tag-script-consulting","tag-suzanne-pradel"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/comments?post=1089"}],"version-history":[{"count":1,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions"}],"predecessor-version":[{"id":1090,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions\/1090"}],"wp:attachment":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/media?parent=1089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/categories?post=1089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/tags?post=1089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
She is the scriptwriter and co-director of the project “Mironins”, an animated TV series for kids (currently in development) with the collaboration of Joan Mir\u00f3 Foundation. Celia\u00a0has worked as an assistant to Claudia Llosa, and was the Second Unit Director on her latest film, \u201cAloft\u201d. She has directed the project \u201cFilm Diaries\u201d, an experimental documentary project for old women social integration, in collaboration with La Caixa Foundation and Barcelona City Council.<\/p>\n
She has worked for several Spanish film companies such as Arcadia Motion Pictures (\u201cBlancanieves\u201d, \u201cAloft\u201d, \u201cBlackthorn\u201d) or Oberon Cinematogr\u00e0fica (\u201cThe Milk of Sorrow\u201d, \u201cChildish Games\u201d, \u201cElisa K\u201d).<\/p>\n
SELECTED PROJECT:\u00a0 THE LITTLE LOVES<\/em><\/h3>\nAni (70) takes a fall walking her dog and breaks her femur. Her daughter Teresa (42), who lives in the city, changes her vacation plans and moves into her mother\u2019s house in the countryside to look after her until she can walk again.<\/p>\n
For the first time in many years, mother and daughter spend day and night together. The mother is completely dependent on her daughter, who is useless at housework, and the daughter fully immerses herself into the temporality of her mother, whose griping is insufferable. To make matters worse, the heat is suffocating, and the threat of a summer storm looms heavily in the air they breathe, already dripping with mutual disapproval, memories, and the constant doubting of each other\u2019s decisions. Teresa, childless and without a steady partner, ferociously defends her independence. Ani, widowed and with the sole\u00a0company of her dog \u2013who\u2019s been missing since her fall\u2013, still harbours the hope that her daughter will not be alone in the future. Otherwise, who will look after her when she, too, takes a fall in her old age?<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n\n\nGeraldine Creed,\u00a0WANT<\/em><\/h2>\nShe is a filmmaker and writer with vast experience of both drama and documentary production. My most recent documentary Mercury 13 was made for Netflix in 2018. My promo for the film won the \u201cCuban Hat for Best Pitch\u201d at the Hot Docs International Documentary Festival, Canada in 2015. I have a keen sense of narrative and an exceptional visual flair. My experience of film and media production is extensive from feature films to factual and observational documentaries to arts and history documentaries. Currently, I am developing two feature film scripts Want ( formerly Nightcrawler) and Mercury Rising, both have received financial support from Screen Ireland.<\/p>\n
SELECTED PROJECT: WANT<\/em><\/h3>\nJess Whelan has an eating disorder. Her mother, a nurse, cannot accept this. They are trying to rebuild their lives after Jess\u2019 latest hospitalisation. Single parent, Bee works shift hours in a local old folks home while Jess returns to school\u00a0but is expelled for putting her hand through a window. When a tree is felled on their housing estate, Jess finds an old ivory comb nearby. She also finds Anna, a brash and out-going ally. The girls attempt to out do each other with obsessive starvation. They meet Red (a local council worker), at a niteclub. Red takes things too far with Anna.<\/p>\n
Meanwhile, Bee is getting grief from the bank and education officers but still no support for Jess, who is on a waiting list for a referral to a psychologist. Bee decides to investigate returning home to Canada \u2013 at least they\u2019ll get more support for Jess there. Red turns up at Jess\u2019 house and rapes her, Anna helps her kill him. They bury\u00a0the body in the area where Jess found the ivory comb. Jess meets Billy, a local boy\u00a0who tells her that the school and surrounding housing estate used to be a workhouse in famine times. Bee wears the ivory comb to work one evening and an elderly patient tells her it should be put back where it was found, no good will come of it, its a death\u00a0comb, she warns. One evening, Billy and Jess discover the cops digging up the green area. When Jess hears a body has been found, she panics. At home, Bee is waiting for\u00a0her. She has uncovered Jess\u2019 diary and realises that her daughter is in a psychotic state. Anna and Jess are one and the same person. With the police closing in, Bee decides to make a break for Canada earlier than planned. At the airport, Bee and Jess hear that a famine burial mound has been revealed on the site where Red was buried.<\/p>\n
A jet stream rises high into the sky, the famine woman looks up and smiles, we see blood dripping from her mouth. Beside her, in the bushes, sits Red\u2019s baseball hat.<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nKatharina Suckale,\u00a0BETWEEN OUR WORLDS<\/em><\/h2>\nAfter her masters at the University Paris IX, Dauphine\u00a0Katharina\u00a0started in film distribution and sales at MK2 – Marin Karmitz in Paris 1988, moving to film production in Toronto, Canada, where she got to know the American film business. She has been working on the sets in feature film and TV-production in Europe over 16 years, also directing documentaries, short and experimental films.
\nFurhermore, she was producing under her own banner in Germany, France, Italy, Africa and India. She developed and wrote feature films for the cinema and developed concepts for TV and internet in cooperation with German, French, Italian and Indian producers, channels, studios and web platforms. 2011 she founded the production company Bombay Berlin Film Productions with Arfi Lamba, based in Berlin, Germany and Mumbai, India.<\/p>\n
SELECTED PROJECT: BETWEEN OUR WORLDS<\/em><\/h3>\nThe deserted countryside of Maharashtra. An Indian farmer, his wife and four children are eating plain rice in their small hut. Suddenly he starts vomiting and dies on the spot. While his wife still desperately tries to save him, her son discovers that his father has put pesticides in his own rice.<\/p>\n
Johanna (35), a warm-hearted and ambitious lawyer is working in Berlin, where the Rondo\u00a0headquarters are based in a majestic skyscraper at Potsdamer place overlooking the city. As\u00a0the most senior lawyer at Rondo, she will fight a case in which Rondo is accused of suicides committed by 300.000 Indian farmers between 1998 and now, as a result of the companies genetically modified, high yield seed schemes. Being informed by her boss Mr. Schneider (65) that she is a runner up for the Board of Directors, this case is a great chance to push her\u00a0career, or break it.<\/p>\n
At the steps of the International Court of Justice in The Hague she has a first encounter with\u00a0her opponent Shaantanu (39), at which Johanna makes it clear that it is not Rondo Agricorp,\u00a0but the corrupt Indian political system, the uneducated farmers and the greedy moneylenders\u00a0that have caused the wave of suicides.<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nKirsi Liimatainen, with TERKKU<\/em><\/h2>\nKirsi\u00a0Marie Liimatainen was born in Finland in 1968. She has MA degree in Theatre and Drama studies of the University of Tampere. From 1991-1999, she worked as an actress in films, television and in theatres in Finland.
\nFrom 1999-2006, she studied directing at the Potsdam-Babelsberg Academy of Film and Television.\u00a0Kirsi\u00a0Marie Liimatainen was awarded scholarships by the DEFA-Foundation, the Nipkow-Program, the Academy of Arts in Berlin, the Finnish Cultural Foundation and took part in the Residence program of the Cannes film festival, C\u00c9CI, Binger Film Lab, Torino Film Lab and the Residence program Saari of the KONEFoundation.<\/p>\n
SELECTED PROJECT: KERTTU<\/em><\/h3>\nKERTTU (65) comes to the end of her career as a Finnish language and literature teacher in a high school in Southern Finland. Retirement brings long awaited freedom, but also a surprising feeling of loneliness. Kerttu\u2019s husband, SEPPO (67) is still working as a specialist in paper mill engineering and often travels abroad. Kerttu\u2019s grownup daughters, SOFIA (35) and ANNA (32) have their own busy independent lives. Anna is pregnant and even though Kerttu knows her daughter will soon need help with the baby, she feels that her life has become meaningless. She wonders what happened to the young idealistic hippie couple – she and her husband Seppo – and how they became middle class, overweight and old.<\/p>\n
Out shopping in the city center with her best friend PIRKKO (63), Kerttu meets PEKKA (32) who is collecting money to help asylum seekers. Pekka tells the women that he is doing a volunteer job at a local reception center. Pirkko is skeptical, but Kerttu is impressed by his youthful idealism. When Kerttu takes the leaflet in her hand, little does she know that everything she takes for granted will be changed forever.<\/p>\n
Kerttu and Pekka get to know one another and despite the fact that Kerttu’s husband and her daughters are opposed to the idea, Kerttu starts working as a Finnish language teacher at the reception center. When an Afghan family is threatened with forced repatriation, Kerttu takes action. Together with Pekka, Kerttu hides the family in a summer cottage on the outskirts of the city. Kerttu\u2019s husband Seppo gets wind of the plan and threatens to report her to the police. The married couple \u2013 former members of the \u201968 student movement – now stand against each other, no longer side by side.<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nOonagh Kearney, with SNOW on BEARA<\/em><\/h2>\nWith a BA in English and Philosophy from University College Cork and M.Phil in Irish Theatre from Trinity College Dublin,\u00a0Oonagh\u2019s passion for directing was sparked when she got the job as casting director to Ken Loach on his Palm d\u2019Or winning THE WIND THAT SHAKES THE BARLEY in 2005. Since graduating from the NFTS in London,\u00a0Oonagh\u00a0has written and directed several award-winning short films, a Reel Art funded feature documentary and TV pilot for RTE. She shadow-directed on the comedy drama series CAN\u2019T COPE WON\u2019T COPE with Deadpan Pictures in 2016 and her most recent short film FIVE LETTERS TO THE STRANGER WHO WILL DISSECT MY BRAIN won Best Director of an Irish Short at the 2018 Cork International Film Festival, Discovery Award and Best Irish Short film at the 2019 Dublin International Film Festival, and Best Short Screenplay at the Irish Writers Guild Awards in June 2019.<\/p>\n
As a writer,\u00a0Oonagh\u00a0has participated\u00a0in several Screen Skill Ireland initiatives, Berlinale Talents, She Writes and the \u2018Apulia Experience\u2019 a five-week international TV writing workshop.\u00a0Oonagh\u2019s\u00a0 feature screenplay SNOW ON BEARA was selected for the Athena IRIS Screenplay Lab in NYC and the BBC Drama Writers Room in 2017 and is in development with Screen Ireland. From January to May 2019,\u00a0Oonagh\u00a0was writer-in-residence at Carlow College.<\/p>\n
SELECTED PROJECT: SNOW ON BEARA<\/em><\/h3>\nIn the wilds of Beara, a remote peninsula in West Cork, three women, English surgeon ESTHER (44), local postmistress NELL (36) and local teenager JO-JO (19), meet on a cliff following a near fatal car accident. While trying to get to the nearest village to find Esther a place to stay, things don\u2019t go to plan and they end up stuck on Nell\u2019s tractor looking for shelter to ride out a massive snow storm. Set in the forty-eight hours when their chaotic lives overlap, we are brought on a wild journey through their personal crises, all of which relate to mothering. To survive the night, they must not only work together, but support each other, as they face painful truths about themselves, the past, and the lives they still hope to lead. In Ireland, snowstorms are rare.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I look forward to be working with two of these talented female screenwriters during the Berlinale residency of the European Women’s Audiovisual Network (EWA). Selection will be out soon. Celia Rico,\u00a0The Little Loves Celia\u00a0Rico\u00a0Clavellino (1982) is a Spanish screenwriter and filmmaker graduated in Media Studies and Comparative Literature. She also has a postgraduate in Script Continue reading <\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[188,160,131,117,146],"class_list":["post-1089","post","type-post","status-publish","format-standard","hentry","category-buchscout-news","tag-buchscout-agency","tag-buchscout-agentur","tag-european-womens-audiovisual-network","tag-script-consulting","tag-suzanne-pradel"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/comments?post=1089"}],"version-history":[{"count":1,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions"}],"predecessor-version":[{"id":1090,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions\/1090"}],"wp:attachment":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/media?parent=1089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/categories?post=1089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/tags?post=1089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/div>\n<\/figure>\n<\/div>\nGeraldine Creed,\u00a0WANT<\/em><\/h2>\nShe is a filmmaker and writer with vast experience of both drama and documentary production. My most recent documentary Mercury 13 was made for Netflix in 2018. My promo for the film won the \u201cCuban Hat for Best Pitch\u201d at the Hot Docs International Documentary Festival, Canada in 2015. I have a keen sense of narrative and an exceptional visual flair. My experience of film and media production is extensive from feature films to factual and observational documentaries to arts and history documentaries. Currently, I am developing two feature film scripts Want ( formerly Nightcrawler) and Mercury Rising, both have received financial support from Screen Ireland.<\/p>\n
SELECTED PROJECT: WANT<\/em><\/h3>\nJess Whelan has an eating disorder. Her mother, a nurse, cannot accept this. They are trying to rebuild their lives after Jess\u2019 latest hospitalisation. Single parent, Bee works shift hours in a local old folks home while Jess returns to school\u00a0but is expelled for putting her hand through a window. When a tree is felled on their housing estate, Jess finds an old ivory comb nearby. She also finds Anna, a brash and out-going ally. The girls attempt to out do each other with obsessive starvation. They meet Red (a local council worker), at a niteclub. Red takes things too far with Anna.<\/p>\n
Meanwhile, Bee is getting grief from the bank and education officers but still no support for Jess, who is on a waiting list for a referral to a psychologist. Bee decides to investigate returning home to Canada \u2013 at least they\u2019ll get more support for Jess there. Red turns up at Jess\u2019 house and rapes her, Anna helps her kill him. They bury\u00a0the body in the area where Jess found the ivory comb. Jess meets Billy, a local boy\u00a0who tells her that the school and surrounding housing estate used to be a workhouse in famine times. Bee wears the ivory comb to work one evening and an elderly patient tells her it should be put back where it was found, no good will come of it, its a death\u00a0comb, she warns. One evening, Billy and Jess discover the cops digging up the green area. When Jess hears a body has been found, she panics. At home, Bee is waiting for\u00a0her. She has uncovered Jess\u2019 diary and realises that her daughter is in a psychotic state. Anna and Jess are one and the same person. With the police closing in, Bee decides to make a break for Canada earlier than planned. At the airport, Bee and Jess hear that a famine burial mound has been revealed on the site where Red was buried.<\/p>\n
A jet stream rises high into the sky, the famine woman looks up and smiles, we see blood dripping from her mouth. Beside her, in the bushes, sits Red\u2019s baseball hat.<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nKatharina Suckale,\u00a0BETWEEN OUR WORLDS<\/em><\/h2>\nAfter her masters at the University Paris IX, Dauphine\u00a0Katharina\u00a0started in film distribution and sales at MK2 – Marin Karmitz in Paris 1988, moving to film production in Toronto, Canada, where she got to know the American film business. She has been working on the sets in feature film and TV-production in Europe over 16 years, also directing documentaries, short and experimental films.
\nFurhermore, she was producing under her own banner in Germany, France, Italy, Africa and India. She developed and wrote feature films for the cinema and developed concepts for TV and internet in cooperation with German, French, Italian and Indian producers, channels, studios and web platforms. 2011 she founded the production company Bombay Berlin Film Productions with Arfi Lamba, based in Berlin, Germany and Mumbai, India.<\/p>\n
SELECTED PROJECT: BETWEEN OUR WORLDS<\/em><\/h3>\nThe deserted countryside of Maharashtra. An Indian farmer, his wife and four children are eating plain rice in their small hut. Suddenly he starts vomiting and dies on the spot. While his wife still desperately tries to save him, her son discovers that his father has put pesticides in his own rice.<\/p>\n
Johanna (35), a warm-hearted and ambitious lawyer is working in Berlin, where the Rondo\u00a0headquarters are based in a majestic skyscraper at Potsdamer place overlooking the city. As\u00a0the most senior lawyer at Rondo, she will fight a case in which Rondo is accused of suicides committed by 300.000 Indian farmers between 1998 and now, as a result of the companies genetically modified, high yield seed schemes. Being informed by her boss Mr. Schneider (65) that she is a runner up for the Board of Directors, this case is a great chance to push her\u00a0career, or break it.<\/p>\n
At the steps of the International Court of Justice in The Hague she has a first encounter with\u00a0her opponent Shaantanu (39), at which Johanna makes it clear that it is not Rondo Agricorp,\u00a0but the corrupt Indian political system, the uneducated farmers and the greedy moneylenders\u00a0that have caused the wave of suicides.<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nKirsi Liimatainen, with TERKKU<\/em><\/h2>\nKirsi\u00a0Marie Liimatainen was born in Finland in 1968. She has MA degree in Theatre and Drama studies of the University of Tampere. From 1991-1999, she worked as an actress in films, television and in theatres in Finland.
\nFrom 1999-2006, she studied directing at the Potsdam-Babelsberg Academy of Film and Television.\u00a0Kirsi\u00a0Marie Liimatainen was awarded scholarships by the DEFA-Foundation, the Nipkow-Program, the Academy of Arts in Berlin, the Finnish Cultural Foundation and took part in the Residence program of the Cannes film festival, C\u00c9CI, Binger Film Lab, Torino Film Lab and the Residence program Saari of the KONEFoundation.<\/p>\n
SELECTED PROJECT: KERTTU<\/em><\/h3>\nKERTTU (65) comes to the end of her career as a Finnish language and literature teacher in a high school in Southern Finland. Retirement brings long awaited freedom, but also a surprising feeling of loneliness. Kerttu\u2019s husband, SEPPO (67) is still working as a specialist in paper mill engineering and often travels abroad. Kerttu\u2019s grownup daughters, SOFIA (35) and ANNA (32) have their own busy independent lives. Anna is pregnant and even though Kerttu knows her daughter will soon need help with the baby, she feels that her life has become meaningless. She wonders what happened to the young idealistic hippie couple – she and her husband Seppo – and how they became middle class, overweight and old.<\/p>\n
Out shopping in the city center with her best friend PIRKKO (63), Kerttu meets PEKKA (32) who is collecting money to help asylum seekers. Pekka tells the women that he is doing a volunteer job at a local reception center. Pirkko is skeptical, but Kerttu is impressed by his youthful idealism. When Kerttu takes the leaflet in her hand, little does she know that everything she takes for granted will be changed forever.<\/p>\n
Kerttu and Pekka get to know one another and despite the fact that Kerttu’s husband and her daughters are opposed to the idea, Kerttu starts working as a Finnish language teacher at the reception center. When an Afghan family is threatened with forced repatriation, Kerttu takes action. Together with Pekka, Kerttu hides the family in a summer cottage on the outskirts of the city. Kerttu\u2019s husband Seppo gets wind of the plan and threatens to report her to the police. The married couple \u2013 former members of the \u201968 student movement – now stand against each other, no longer side by side.<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nOonagh Kearney, with SNOW on BEARA<\/em><\/h2>\nWith a BA in English and Philosophy from University College Cork and M.Phil in Irish Theatre from Trinity College Dublin,\u00a0Oonagh\u2019s passion for directing was sparked when she got the job as casting director to Ken Loach on his Palm d\u2019Or winning THE WIND THAT SHAKES THE BARLEY in 2005. Since graduating from the NFTS in London,\u00a0Oonagh\u00a0has written and directed several award-winning short films, a Reel Art funded feature documentary and TV pilot for RTE. She shadow-directed on the comedy drama series CAN\u2019T COPE WON\u2019T COPE with Deadpan Pictures in 2016 and her most recent short film FIVE LETTERS TO THE STRANGER WHO WILL DISSECT MY BRAIN won Best Director of an Irish Short at the 2018 Cork International Film Festival, Discovery Award and Best Irish Short film at the 2019 Dublin International Film Festival, and Best Short Screenplay at the Irish Writers Guild Awards in June 2019.<\/p>\n
As a writer,\u00a0Oonagh\u00a0has participated\u00a0in several Screen Skill Ireland initiatives, Berlinale Talents, She Writes and the \u2018Apulia Experience\u2019 a five-week international TV writing workshop.\u00a0Oonagh\u2019s\u00a0 feature screenplay SNOW ON BEARA was selected for the Athena IRIS Screenplay Lab in NYC and the BBC Drama Writers Room in 2017 and is in development with Screen Ireland. From January to May 2019,\u00a0Oonagh\u00a0was writer-in-residence at Carlow College.<\/p>\n
SELECTED PROJECT: SNOW ON BEARA<\/em><\/h3>\nIn the wilds of Beara, a remote peninsula in West Cork, three women, English surgeon ESTHER (44), local postmistress NELL (36) and local teenager JO-JO (19), meet on a cliff following a near fatal car accident. While trying to get to the nearest village to find Esther a place to stay, things don\u2019t go to plan and they end up stuck on Nell\u2019s tractor looking for shelter to ride out a massive snow storm. Set in the forty-eight hours when their chaotic lives overlap, we are brought on a wild journey through their personal crises, all of which relate to mothering. To survive the night, they must not only work together, but support each other, as they face painful truths about themselves, the past, and the lives they still hope to lead. In Ireland, snowstorms are rare.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I look forward to be working with two of these talented female screenwriters during the Berlinale residency of the European Women’s Audiovisual Network (EWA). Selection will be out soon. Celia Rico,\u00a0The Little Loves Celia\u00a0Rico\u00a0Clavellino (1982) is a Spanish screenwriter and filmmaker graduated in Media Studies and Comparative Literature. She also has a postgraduate in Script Continue reading <\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[188,160,131,117,146],"class_list":["post-1089","post","type-post","status-publish","format-standard","hentry","category-buchscout-news","tag-buchscout-agency","tag-buchscout-agentur","tag-european-womens-audiovisual-network","tag-script-consulting","tag-suzanne-pradel"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/comments?post=1089"}],"version-history":[{"count":1,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions"}],"predecessor-version":[{"id":1090,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions\/1090"}],"wp:attachment":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/media?parent=1089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/categories?post=1089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/tags?post=1089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Jess Whelan has an eating disorder. Her mother, a nurse, cannot accept this. They are trying to rebuild their lives after Jess\u2019 latest hospitalisation. Single parent, Bee works shift hours in a local old folks home while Jess returns to school\u00a0but is expelled for putting her hand through a window. When a tree is felled on their housing estate, Jess finds an old ivory comb nearby. She also finds Anna, a brash and out-going ally. The girls attempt to out do each other with obsessive starvation. They meet Red (a local council worker), at a niteclub. Red takes things too far with Anna.<\/p>\n
Meanwhile, Bee is getting grief from the bank and education officers but still no support for Jess, who is on a waiting list for a referral to a psychologist. Bee decides to investigate returning home to Canada \u2013 at least they\u2019ll get more support for Jess there. Red turns up at Jess\u2019 house and rapes her, Anna helps her kill him. They bury\u00a0the body in the area where Jess found the ivory comb. Jess meets Billy, a local boy\u00a0who tells her that the school and surrounding housing estate used to be a workhouse in famine times. Bee wears the ivory comb to work one evening and an elderly patient tells her it should be put back where it was found, no good will come of it, its a death\u00a0comb, she warns. One evening, Billy and Jess discover the cops digging up the green area. When Jess hears a body has been found, she panics. At home, Bee is waiting for\u00a0her. She has uncovered Jess\u2019 diary and realises that her daughter is in a psychotic state. Anna and Jess are one and the same person. With the police closing in, Bee decides to make a break for Canada earlier than planned. At the airport, Bee and Jess hear that a famine burial mound has been revealed on the site where Red was buried.<\/p>\n
A jet stream rises high into the sky, the famine woman looks up and smiles, we see blood dripping from her mouth. Beside her, in the bushes, sits Red\u2019s baseball hat.<\/p>\n<\/div>\n<\/div>\n
<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\nKatharina Suckale,\u00a0BETWEEN OUR WORLDS<\/em><\/h2>\nAfter her masters at the University Paris IX, Dauphine\u00a0Katharina\u00a0started in film distribution and sales at MK2 – Marin Karmitz in Paris 1988, moving to film production in Toronto, Canada, where she got to know the American film business. She has been working on the sets in feature film and TV-production in Europe over 16 years, also directing documentaries, short and experimental films.
\nFurhermore, she was producing under her own banner in Germany, France, Italy, Africa and India. She developed and wrote feature films for the cinema and developed concepts for TV and internet in cooperation with German, French, Italian and Indian producers, channels, studios and web platforms. 2011 she founded the production company Bombay Berlin Film Productions with Arfi Lamba, based in Berlin, Germany and Mumbai, India.<\/p>\n
SELECTED PROJECT: BETWEEN OUR WORLDS<\/em><\/h3>\nThe deserted countryside of Maharashtra. An Indian farmer, his wife and four children are eating plain rice in their small hut. Suddenly he starts vomiting and dies on the spot. While his wife still desperately tries to save him, her son discovers that his father has put pesticides in his own rice.<\/p>\n
Johanna (35), a warm-hearted and ambitious lawyer is working in Berlin, where the Rondo\u00a0headquarters are based in a majestic skyscraper at Potsdamer place overlooking the city. As\u00a0the most senior lawyer at Rondo, she will fight a case in which Rondo is accused of suicides committed by 300.000 Indian farmers between 1998 and now, as a result of the companies genetically modified, high yield seed schemes. Being informed by her boss Mr. Schneider (65) that she is a runner up for the Board of Directors, this case is a great chance to push her\u00a0career, or break it.<\/p>\n
At the steps of the International Court of Justice in The Hague she has a first encounter with\u00a0her opponent Shaantanu (39), at which Johanna makes it clear that it is not Rondo Agricorp,\u00a0but the corrupt Indian political system, the uneducated farmers and the greedy moneylenders\u00a0that have caused the wave of suicides.<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nKirsi Liimatainen, with TERKKU<\/em><\/h2>\nKirsi\u00a0Marie Liimatainen was born in Finland in 1968. She has MA degree in Theatre and Drama studies of the University of Tampere. From 1991-1999, she worked as an actress in films, television and in theatres in Finland.
\nFrom 1999-2006, she studied directing at the Potsdam-Babelsberg Academy of Film and Television.\u00a0Kirsi\u00a0Marie Liimatainen was awarded scholarships by the DEFA-Foundation, the Nipkow-Program, the Academy of Arts in Berlin, the Finnish Cultural Foundation and took part in the Residence program of the Cannes film festival, C\u00c9CI, Binger Film Lab, Torino Film Lab and the Residence program Saari of the KONEFoundation.<\/p>\n
SELECTED PROJECT: KERTTU<\/em><\/h3>\nKERTTU (65) comes to the end of her career as a Finnish language and literature teacher in a high school in Southern Finland. Retirement brings long awaited freedom, but also a surprising feeling of loneliness. Kerttu\u2019s husband, SEPPO (67) is still working as a specialist in paper mill engineering and often travels abroad. Kerttu\u2019s grownup daughters, SOFIA (35) and ANNA (32) have their own busy independent lives. Anna is pregnant and even though Kerttu knows her daughter will soon need help with the baby, she feels that her life has become meaningless. She wonders what happened to the young idealistic hippie couple – she and her husband Seppo – and how they became middle class, overweight and old.<\/p>\n
Out shopping in the city center with her best friend PIRKKO (63), Kerttu meets PEKKA (32) who is collecting money to help asylum seekers. Pekka tells the women that he is doing a volunteer job at a local reception center. Pirkko is skeptical, but Kerttu is impressed by his youthful idealism. When Kerttu takes the leaflet in her hand, little does she know that everything she takes for granted will be changed forever.<\/p>\n
Kerttu and Pekka get to know one another and despite the fact that Kerttu’s husband and her daughters are opposed to the idea, Kerttu starts working as a Finnish language teacher at the reception center. When an Afghan family is threatened with forced repatriation, Kerttu takes action. Together with Pekka, Kerttu hides the family in a summer cottage on the outskirts of the city. Kerttu\u2019s husband Seppo gets wind of the plan and threatens to report her to the police. The married couple \u2013 former members of the \u201968 student movement – now stand against each other, no longer side by side.<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nOonagh Kearney, with SNOW on BEARA<\/em><\/h2>\nWith a BA in English and Philosophy from University College Cork and M.Phil in Irish Theatre from Trinity College Dublin,\u00a0Oonagh\u2019s passion for directing was sparked when she got the job as casting director to Ken Loach on his Palm d\u2019Or winning THE WIND THAT SHAKES THE BARLEY in 2005. Since graduating from the NFTS in London,\u00a0Oonagh\u00a0has written and directed several award-winning short films, a Reel Art funded feature documentary and TV pilot for RTE. She shadow-directed on the comedy drama series CAN\u2019T COPE WON\u2019T COPE with Deadpan Pictures in 2016 and her most recent short film FIVE LETTERS TO THE STRANGER WHO WILL DISSECT MY BRAIN won Best Director of an Irish Short at the 2018 Cork International Film Festival, Discovery Award and Best Irish Short film at the 2019 Dublin International Film Festival, and Best Short Screenplay at the Irish Writers Guild Awards in June 2019.<\/p>\n
As a writer,\u00a0Oonagh\u00a0has participated\u00a0in several Screen Skill Ireland initiatives, Berlinale Talents, She Writes and the \u2018Apulia Experience\u2019 a five-week international TV writing workshop.\u00a0Oonagh\u2019s\u00a0 feature screenplay SNOW ON BEARA was selected for the Athena IRIS Screenplay Lab in NYC and the BBC Drama Writers Room in 2017 and is in development with Screen Ireland. From January to May 2019,\u00a0Oonagh\u00a0was writer-in-residence at Carlow College.<\/p>\n
SELECTED PROJECT: SNOW ON BEARA<\/em><\/h3>\nIn the wilds of Beara, a remote peninsula in West Cork, three women, English surgeon ESTHER (44), local postmistress NELL (36) and local teenager JO-JO (19), meet on a cliff following a near fatal car accident. While trying to get to the nearest village to find Esther a place to stay, things don\u2019t go to plan and they end up stuck on Nell\u2019s tractor looking for shelter to ride out a massive snow storm. Set in the forty-eight hours when their chaotic lives overlap, we are brought on a wild journey through their personal crises, all of which relate to mothering. To survive the night, they must not only work together, but support each other, as they face painful truths about themselves, the past, and the lives they still hope to lead. In Ireland, snowstorms are rare.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I look forward to be working with two of these talented female screenwriters during the Berlinale residency of the European Women’s Audiovisual Network (EWA). Selection will be out soon. Celia Rico,\u00a0The Little Loves Celia\u00a0Rico\u00a0Clavellino (1982) is a Spanish screenwriter and filmmaker graduated in Media Studies and Comparative Literature. She also has a postgraduate in Script Continue reading <\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[188,160,131,117,146],"class_list":["post-1089","post","type-post","status-publish","format-standard","hentry","category-buchscout-news","tag-buchscout-agency","tag-buchscout-agentur","tag-european-womens-audiovisual-network","tag-script-consulting","tag-suzanne-pradel"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/comments?post=1089"}],"version-history":[{"count":1,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions"}],"predecessor-version":[{"id":1090,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions\/1090"}],"wp:attachment":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/media?parent=1089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/categories?post=1089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/tags?post=1089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFurhermore, she was producing under her own banner in Germany, France, Italy, Africa and India. She developed and wrote feature films for the cinema and developed concepts for TV and internet in cooperation with German, French, Italian and Indian producers, channels, studios and web platforms. 2011 she founded the production company Bombay Berlin Film Productions with Arfi Lamba, based in Berlin, Germany and Mumbai, India.<\/p>\n
The deserted countryside of Maharashtra. An Indian farmer, his wife and four children are eating plain rice in their small hut. Suddenly he starts vomiting and dies on the spot. While his wife still desperately tries to save him, her son discovers that his father has put pesticides in his own rice.<\/p>\n
Johanna (35), a warm-hearted and ambitious lawyer is working in Berlin, where the Rondo\u00a0headquarters are based in a majestic skyscraper at Potsdamer place overlooking the city. As\u00a0the most senior lawyer at Rondo, she will fight a case in which Rondo is accused of suicides committed by 300.000 Indian farmers between 1998 and now, as a result of the companies genetically modified, high yield seed schemes. Being informed by her boss Mr. Schneider (65) that she is a runner up for the Board of Directors, this case is a great chance to push her\u00a0career, or break it.<\/p>\n
At the steps of the International Court of Justice in The Hague she has a first encounter with\u00a0her opponent Shaantanu (39), at which Johanna makes it clear that it is not Rondo Agricorp,\u00a0but the corrupt Indian political system, the uneducated farmers and the greedy moneylenders\u00a0that have caused the wave of suicides.<\/p>\n<\/div>\n<\/div>\n
<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\nKirsi Liimatainen, with TERKKU<\/em><\/h2>\nKirsi\u00a0Marie Liimatainen was born in Finland in 1968. She has MA degree in Theatre and Drama studies of the University of Tampere. From 1991-1999, she worked as an actress in films, television and in theatres in Finland.
\nFrom 1999-2006, she studied directing at the Potsdam-Babelsberg Academy of Film and Television.\u00a0Kirsi\u00a0Marie Liimatainen was awarded scholarships by the DEFA-Foundation, the Nipkow-Program, the Academy of Arts in Berlin, the Finnish Cultural Foundation and took part in the Residence program of the Cannes film festival, C\u00c9CI, Binger Film Lab, Torino Film Lab and the Residence program Saari of the KONEFoundation.<\/p>\n
SELECTED PROJECT: KERTTU<\/em><\/h3>\nKERTTU (65) comes to the end of her career as a Finnish language and literature teacher in a high school in Southern Finland. Retirement brings long awaited freedom, but also a surprising feeling of loneliness. Kerttu\u2019s husband, SEPPO (67) is still working as a specialist in paper mill engineering and often travels abroad. Kerttu\u2019s grownup daughters, SOFIA (35) and ANNA (32) have their own busy independent lives. Anna is pregnant and even though Kerttu knows her daughter will soon need help with the baby, she feels that her life has become meaningless. She wonders what happened to the young idealistic hippie couple – she and her husband Seppo – and how they became middle class, overweight and old.<\/p>\n
Out shopping in the city center with her best friend PIRKKO (63), Kerttu meets PEKKA (32) who is collecting money to help asylum seekers. Pekka tells the women that he is doing a volunteer job at a local reception center. Pirkko is skeptical, but Kerttu is impressed by his youthful idealism. When Kerttu takes the leaflet in her hand, little does she know that everything she takes for granted will be changed forever.<\/p>\n
Kerttu and Pekka get to know one another and despite the fact that Kerttu’s husband and her daughters are opposed to the idea, Kerttu starts working as a Finnish language teacher at the reception center. When an Afghan family is threatened with forced repatriation, Kerttu takes action. Together with Pekka, Kerttu hides the family in a summer cottage on the outskirts of the city. Kerttu\u2019s husband Seppo gets wind of the plan and threatens to report her to the police. The married couple \u2013 former members of the \u201968 student movement – now stand against each other, no longer side by side.<\/p>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\nOonagh Kearney, with SNOW on BEARA<\/em><\/h2>\nWith a BA in English and Philosophy from University College Cork and M.Phil in Irish Theatre from Trinity College Dublin,\u00a0Oonagh\u2019s passion for directing was sparked when she got the job as casting director to Ken Loach on his Palm d\u2019Or winning THE WIND THAT SHAKES THE BARLEY in 2005. Since graduating from the NFTS in London,\u00a0Oonagh\u00a0has written and directed several award-winning short films, a Reel Art funded feature documentary and TV pilot for RTE. She shadow-directed on the comedy drama series CAN\u2019T COPE WON\u2019T COPE with Deadpan Pictures in 2016 and her most recent short film FIVE LETTERS TO THE STRANGER WHO WILL DISSECT MY BRAIN won Best Director of an Irish Short at the 2018 Cork International Film Festival, Discovery Award and Best Irish Short film at the 2019 Dublin International Film Festival, and Best Short Screenplay at the Irish Writers Guild Awards in June 2019.<\/p>\n
As a writer,\u00a0Oonagh\u00a0has participated\u00a0in several Screen Skill Ireland initiatives, Berlinale Talents, She Writes and the \u2018Apulia Experience\u2019 a five-week international TV writing workshop.\u00a0Oonagh\u2019s\u00a0 feature screenplay SNOW ON BEARA was selected for the Athena IRIS Screenplay Lab in NYC and the BBC Drama Writers Room in 2017 and is in development with Screen Ireland. From January to May 2019,\u00a0Oonagh\u00a0was writer-in-residence at Carlow College.<\/p>\n
SELECTED PROJECT: SNOW ON BEARA<\/em><\/h3>\nIn the wilds of Beara, a remote peninsula in West Cork, three women, English surgeon ESTHER (44), local postmistress NELL (36) and local teenager JO-JO (19), meet on a cliff following a near fatal car accident. While trying to get to the nearest village to find Esther a place to stay, things don\u2019t go to plan and they end up stuck on Nell\u2019s tractor looking for shelter to ride out a massive snow storm. Set in the forty-eight hours when their chaotic lives overlap, we are brought on a wild journey through their personal crises, all of which relate to mothering. To survive the night, they must not only work together, but support each other, as they face painful truths about themselves, the past, and the lives they still hope to lead. In Ireland, snowstorms are rare.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I look forward to be working with two of these talented female screenwriters during the Berlinale residency of the European Women’s Audiovisual Network (EWA). Selection will be out soon. Celia Rico,\u00a0The Little Loves Celia\u00a0Rico\u00a0Clavellino (1982) is a Spanish screenwriter and filmmaker graduated in Media Studies and Comparative Literature. She also has a postgraduate in Script Continue reading <\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[188,160,131,117,146],"class_list":["post-1089","post","type-post","status-publish","format-standard","hentry","category-buchscout-news","tag-buchscout-agency","tag-buchscout-agentur","tag-european-womens-audiovisual-network","tag-script-consulting","tag-suzanne-pradel"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/comments?post=1089"}],"version-history":[{"count":1,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions"}],"predecessor-version":[{"id":1090,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions\/1090"}],"wp:attachment":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/media?parent=1089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/categories?post=1089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/tags?post=1089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFrom 1999-2006, she studied directing at the Potsdam-Babelsberg Academy of Film and Television.\u00a0Kirsi\u00a0Marie Liimatainen was awarded scholarships by the DEFA-Foundation, the Nipkow-Program, the Academy of Arts in Berlin, the Finnish Cultural Foundation and took part in the Residence program of the Cannes film festival, C\u00c9CI, Binger Film Lab, Torino Film Lab and the Residence program Saari of the KONEFoundation.<\/p>\n
KERTTU (65) comes to the end of her career as a Finnish language and literature teacher in a high school in Southern Finland. Retirement brings long awaited freedom, but also a surprising feeling of loneliness. Kerttu\u2019s husband, SEPPO (67) is still working as a specialist in paper mill engineering and often travels abroad. Kerttu\u2019s grownup daughters, SOFIA (35) and ANNA (32) have their own busy independent lives. Anna is pregnant and even though Kerttu knows her daughter will soon need help with the baby, she feels that her life has become meaningless. She wonders what happened to the young idealistic hippie couple – she and her husband Seppo – and how they became middle class, overweight and old.<\/p>\n
Out shopping in the city center with her best friend PIRKKO (63), Kerttu meets PEKKA (32) who is collecting money to help asylum seekers. Pekka tells the women that he is doing a volunteer job at a local reception center. Pirkko is skeptical, but Kerttu is impressed by his youthful idealism. When Kerttu takes the leaflet in her hand, little does she know that everything she takes for granted will be changed forever.<\/p>\n
Kerttu and Pekka get to know one another and despite the fact that Kerttu’s husband and her daughters are opposed to the idea, Kerttu starts working as a Finnish language teacher at the reception center. When an Afghan family is threatened with forced repatriation, Kerttu takes action. Together with Pekka, Kerttu hides the family in a summer cottage on the outskirts of the city. Kerttu\u2019s husband Seppo gets wind of the plan and threatens to report her to the police. The married couple \u2013 former members of the \u201968 student movement – now stand against each other, no longer side by side.<\/p>\n<\/div>\n<\/div>\n
<\/div>\n<\/figure>\n<\/div>\nOonagh Kearney, with SNOW on BEARA<\/em><\/h2>\nWith a BA in English and Philosophy from University College Cork and M.Phil in Irish Theatre from Trinity College Dublin,\u00a0Oonagh\u2019s passion for directing was sparked when she got the job as casting director to Ken Loach on his Palm d\u2019Or winning THE WIND THAT SHAKES THE BARLEY in 2005. Since graduating from the NFTS in London,\u00a0Oonagh\u00a0has written and directed several award-winning short films, a Reel Art funded feature documentary and TV pilot for RTE. She shadow-directed on the comedy drama series CAN\u2019T COPE WON\u2019T COPE with Deadpan Pictures in 2016 and her most recent short film FIVE LETTERS TO THE STRANGER WHO WILL DISSECT MY BRAIN won Best Director of an Irish Short at the 2018 Cork International Film Festival, Discovery Award and Best Irish Short film at the 2019 Dublin International Film Festival, and Best Short Screenplay at the Irish Writers Guild Awards in June 2019.<\/p>\n
As a writer,\u00a0Oonagh\u00a0has participated\u00a0in several Screen Skill Ireland initiatives, Berlinale Talents, She Writes and the \u2018Apulia Experience\u2019 a five-week international TV writing workshop.\u00a0Oonagh\u2019s\u00a0 feature screenplay SNOW ON BEARA was selected for the Athena IRIS Screenplay Lab in NYC and the BBC Drama Writers Room in 2017 and is in development with Screen Ireland. From January to May 2019,\u00a0Oonagh\u00a0was writer-in-residence at Carlow College.<\/p>\n
SELECTED PROJECT: SNOW ON BEARA<\/em><\/h3>\nIn the wilds of Beara, a remote peninsula in West Cork, three women, English surgeon ESTHER (44), local postmistress NELL (36) and local teenager JO-JO (19), meet on a cliff following a near fatal car accident. While trying to get to the nearest village to find Esther a place to stay, things don\u2019t go to plan and they end up stuck on Nell\u2019s tractor looking for shelter to ride out a massive snow storm. Set in the forty-eight hours when their chaotic lives overlap, we are brought on a wild journey through their personal crises, all of which relate to mothering. To survive the night, they must not only work together, but support each other, as they face painful truths about themselves, the past, and the lives they still hope to lead. In Ireland, snowstorms are rare.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I look forward to be working with two of these talented female screenwriters during the Berlinale residency of the European Women’s Audiovisual Network (EWA). Selection will be out soon. Celia Rico,\u00a0The Little Loves Celia\u00a0Rico\u00a0Clavellino (1982) is a Spanish screenwriter and filmmaker graduated in Media Studies and Comparative Literature. She also has a postgraduate in Script Continue reading <\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[188,160,131,117,146],"class_list":["post-1089","post","type-post","status-publish","format-standard","hentry","category-buchscout-news","tag-buchscout-agency","tag-buchscout-agentur","tag-european-womens-audiovisual-network","tag-script-consulting","tag-suzanne-pradel"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/comments?post=1089"}],"version-history":[{"count":1,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions"}],"predecessor-version":[{"id":1090,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions\/1090"}],"wp:attachment":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/media?parent=1089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/categories?post=1089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/tags?post=1089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
In the wilds of Beara, a remote peninsula in West Cork, three women, English surgeon ESTHER (44), local postmistress NELL (36) and local teenager JO-JO (19), meet on a cliff following a near fatal car accident. While trying to get to the nearest village to find Esther a place to stay, things don\u2019t go to plan and they end up stuck on Nell\u2019s tractor looking for shelter to ride out a massive snow storm. Set in the forty-eight hours when their chaotic lives overlap, we are brought on a wild journey through their personal crises, all of which relate to mothering. To survive the night, they must not only work together, but support each other, as they face painful truths about themselves, the past, and the lives they still hope to lead. In Ireland, snowstorms are rare.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
I look forward to be working with two of these talented female screenwriters during the Berlinale residency of the European Women’s Audiovisual Network (EWA). Selection will be out soon. Celia Rico,\u00a0The Little Loves Celia\u00a0Rico\u00a0Clavellino (1982) is a Spanish screenwriter and filmmaker graduated in Media Studies and Comparative Literature. She also has a postgraduate in Script Continue reading <\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[188,160,131,117,146],"class_list":["post-1089","post","type-post","status-publish","format-standard","hentry","category-buchscout-news","tag-buchscout-agency","tag-buchscout-agentur","tag-european-womens-audiovisual-network","tag-script-consulting","tag-suzanne-pradel"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/comments?post=1089"}],"version-history":[{"count":1,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions"}],"predecessor-version":[{"id":1090,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/1089\/revisions\/1090"}],"wp:attachment":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/media?parent=1089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/categories?post=1089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/tags?post=1089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}