{"id":819,"date":"2017-12-07T11:18:03","date_gmt":"2017-12-07T10:18:03","guid":{"rendered":"http:\/\/buchscout.net\/en\/?p=819"},"modified":"2017-12-07T11:18:03","modified_gmt":"2017-12-07T10:18:03","slug":"ewa-gives-special-mention-for-the-screenplay-its-bonny-by-the-sea-by-rebecca-innes","status":"publish","type":"post","link":"https:\/\/buchscout.net\/en\/2017\/12\/07\/ewa-gives-special-mention-for-the-screenplay-its-bonny-by-the-sea-by-rebecca-innes\/","title":{"rendered":"EWA gives Special Mention for the screenplay &#8220;It&#8217;s Bonny by the Sea\u201c by\u00a0Rebecca Innes"},"content":{"rendered":"<p><a href=\"https:\/\/buchscout.net\/en\/wp-content\/uploads\/sites\/3\/2017\/12\/IMG_1276.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-822 aligncenter\" src=\"https:\/\/buchscout.net\/en\/wp-content\/uploads\/sites\/3\/2017\/12\/IMG_1276-300x216.jpg\" alt=\"\" width=\"581\" height=\"419\" srcset=\"https:\/\/buchscout.net\/en\/wp-content\/uploads\/sites\/3\/2017\/12\/IMG_1276-300x216.jpg 300w, https:\/\/buchscout.net\/en\/wp-content\/uploads\/sites\/3\/2017\/12\/IMG_1276.jpg 501w\" sizes=\"auto, (max-width: 581px) 100vw, 581px\" \/><\/a><\/p>\n<p>The high quality and diversity of the projects submitted for the <a href=\"http:\/\/www.ewawomen.com\"><strong>EWA\u00b4S 2nd Female Scriptwiter\u00b4s Residency in Berlin<\/strong><\/a> made the decision-making process very challenging and inspiring, that\u00b4s why the jury of the European Women\u00b4s Audiovisual Network decided to give the project <strong><span style=\"color: #ff9900;\">\u201eIt\u2019s Bonny by the Sea\u201c<\/span> by Rebecca Innes<\/strong> a special mention and a script consultancy session with the script consultant <strong>Suzanne Pradel<\/strong>.<\/p>\n<p><strong>Rebecca Innes<\/strong><br \/>\nWhilst studying Media Production BA (Hons) at Northumbria University Rebecca also worked freelance within the Art Department on several short and feature films including the BAFTA-nominated \u2018I Am Nasrine\u2018 and Gillian Wearing\u2019s art documentary \u201aSelf Made\u2018. She then moved to London to work at the London Film Academy where she met Writer-Directors Syed Zul Tojo and Kevork Aslanyan and co-wrote feature films and pilots <strong>\u2018Melaka\u2018<\/strong> and <strong>\u2018No White\u2018<\/strong>. Since then Rebecca and Syed have co-written <strong>\u2018Hijabsta Ballet\u2018<\/strong>, Malaysia\u2019s first research film, which was released theatrically in July 2017. Rebecca continues to co-write with Kevork and works on her own projects in the U.K. Rebecca is also an Associate Lecturer at Northumbria University, teaching screenwriting on the Animation BA (Hons) degree. <strong>BuchScout Agency<\/strong> is her agent.<\/p>\n<p><strong>Synopsis<\/strong><br \/>\n<span style=\"color: #ff9900;\"><strong>\u201eIt\u2019s Bonny By The Sea\u201c<\/strong><\/span> is a film about love, heartache and self-care. Polish care worker Irena arrives to the run-down coastal town of Newbiggin-by-the-Sea in Northumberland looking for breathing space from her failing marriage but instead she finds Alex, a caring and capable young man stunted by his small-town existence. Brought together through their mutual care for Alex\u2019s nan Sally, a simple but wise old woman trapped by Alzheimer\u2019s disease, the pair bring hope to one another and come to learn the value and purpose of pragmatic love.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The high quality and diversity of the projects submitted for the EWA\u00b4S 2nd Female Scriptwiter\u00b4s Residency in Berlin made the decision-making process very challenging and inspiring, that\u00b4s why the jury of the European Women\u00b4s Audiovisual Network decided to give the project \u201eIt\u2019s Bonny by the Sea\u201c by Rebecca Innes a special mention and a script <a class=\"more-link\" href=\"https:\/\/buchscout.net\/en\/2017\/12\/07\/ewa-gives-special-mention-for-the-screenplay-its-bonny-by-the-sea-by-rebecca-innes\/\">Continue reading <i class=\"fa fa-chevron-right\"><\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[160,131,159,123,161,158,146],"class_list":["post-819","post","type-post","status-publish","format-standard","hentry","category-buchscout-news","tag-buchscout-agentur","tag-european-womens-audiovisual-network","tag-female-storytelling","tag-gender","tag-london-film-academy","tag-screenwriting","tag-suzanne-pradel"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/comments?post=819"}],"version-history":[{"count":3,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/819\/revisions"}],"predecessor-version":[{"id":823,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/posts\/819\/revisions\/823"}],"wp:attachment":[{"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/media?parent=819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/categories?post=819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buchscout.net\/en\/wp-json\/wp\/v2\/tags?post=819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}