Celia Rico, The Little Loves
Celia Rico Clavellino (1982) is a Spanish screenwriter and filmmaker graduated in Media Studies and Comparative Literature. She also has a postgraduate in Script Editing and a PhD in Film Theory.
“Journey around a Mother’s Room” her first feature film, premiered at San Sebastian Film Festival in 2018. The script participated in the Script Station of Berlinale Talents 2015. Her previous work as a director was “Luisa is not home”, a short film that participated in the Official Selection of La Biennale di Venezia, in the Cannes Short Film Corner and in other important national and international film festivals. Between other awards, it won a Gaudí (Catalan Cinema Academy Awards) as a best short film in 2013.
She is the scriptwriter and co-director of the project „Mironins“, an animated TV series for kids (currently in development) with the collaboration of Joan Miró Foundation. Celia has worked as an assistant to Claudia Llosa, and was the Second Unit Director on her latest film, “Aloft”. She has directed the project “Film Diaries”, an experimental documentary project for old women social integration, in collaboration with La Caixa Foundation and Barcelona City Council.
She has worked for several Spanish film companies such as Arcadia Motion Pictures (“Blancanieves”, “Aloft”, “Blackthorn”) or Oberon Cinematogràfica (“The Milk of Sorrow”, “Childish Games”, “Elisa K”).
SELECTED PROJECT: THE LITTLE LOVES
Ani (70) takes a fall walking her dog and breaks her femur. Her daughter Teresa (42), who lives in the city, changes her vacation plans and moves into her mother’s house in the countryside to look after her until she can walk again.
For the first time in many years, mother and daughter spend day and night together. The mother is completely dependent on her daughter, who is useless at housework, and the daughter fully immerses herself into the temporality of her mother, whose griping is insufferable. To make matters worse, the heat is suffocating, and the threat of a summer storm looms heavily in the air they breathe, already dripping with mutual disapproval, memories, and the constant doubting of each other’s decisions. Teresa, childless and without a steady partner, ferociously defends her independence. Ani, widowed and with the sole company of her dog –who’s been missing since her fall–, still harbours the hope that her daughter will not be alone in the future. Otherwise, who will look after her when she, too, takes a fall in her old age?