What are the advantages and disadvantages of films based on books? What are the current trends?
Suzanne Pradel (BuchScout Agency Berlin ) @ German-French co-production meetings/ Rendez-vous franco-allemand
Photo: Robert Recker
What are the advantages and disadvantages of films based on books? What are the current trends?
Suzanne Pradel (BuchScout Agency Berlin ) @ German-French co-production meetings/ Rendez-vous franco-allemand
Photo: Robert Recker
A brilliant symposium with lots of content-related input. Despite the challenging organisation, it was worth it to bring so many filmmakers together in one place to discuss the topics surrounding the TAG DER FILMSTOFFENTWICKLUNG !!! And I am proud to be part of the VeDRA board that made this conference possible.
VeDRA – Association for Film and Television DramaturgyVeDRA – Association for Film and Television Dramaturgy
With an audience of almost 430 people, the TAG DER FILMSTOFFENTWICKLUNG 2024 was a wonderful success with wonderful panellists, moderators, helping hands, the silent green team and the support of Medienboard Berlin-Brandenburg, Filmförderungsanstalt FFA , TOBIS , Saxonia Media Filmproduktionsgesellschaft mbH, Red Pony Pictures, Bantry Bay Productions GmbH, Studio Hamburg Serienwerft, ndF: neue deutsche Filmgesellschaft mbH, studio.tv.film, Tivoli Film Produktion GmbH, Warner Bros. Entertainment, Network Movie , ICONOCLAST, NFP.
Photos: Marcel Schwickerat
On October 10 and 11, the VeDRA Seminar & Masterclass: Comic Toolbox with John Vorhaus took place in Berlin, which I organized as part of my work as the person responsible for further training at VeDRA.
It was great fun to watch John Vorhaus in his creative and advertising work. He shared his knowledge with us generously and this with a lot of humor. The participants were enthusiastic and took many tips and tricks back to their writing rooms.
The new film, which already premiered in competition at the Berlinale, is based on a project idea by Suzanne Pradel.
When Ingeborg Bachmann (VICKY KRIEPS) and Swiss writer Max Frisch (RONALD ZEHRFELD) meet in Paris in 1958, it is the beginning of a passionate and destructive love story. For four years, the two carry on a grueling relationship that begins in Paris and leads to Rome via Zurich. But artistic disputes and the devouring jealousy of Max Frisch begin to gradually destroy the harmony. Years later, Ingeborg Bachmann cannot let go of the memory of her love for Max Frisch. On a trip to the desert, she tries to come to terms with her relationship with Max Frisch and slowly detach herself from it.
Biographical film drama, DE/CH/AT 2023
Film distributor: Alamode Film
German Theatrical Release: 19.10.23
Yesterday evening at the ACHTUNG BELRIN FILM FESTIVAL the jury:
Kerstin Polte, Suzanne Pradel and Florian Plumeyer awarded the new berlin film award in the amount of €1.500.- for BEST SCREENPLAY to Janin Halisch & Hanna Siodda for the film “Talk to me”.
The Achtung Berlin Screenplay Award is an initiative of the German Screenplay Association (DDV), Scriptmakers and Musterschule Drehbuch. You can find the laudation at Achtung Berlin.
I think the authors have captured the famous Berlin snark in a heart-warming way: tough but hearty – first create distance – attack, is the best way to get to know you. Well done Janin and Hanna!!!
As part of the jury for the BEST SCREENPLAY at the ACHTUNG BERLIN – new berlin film award, I am excited to see this year’s selection of feature films.
The film festival ACHTUNG BERLIN – new berlin film award presents current feature films and documentaries that have been realized either entirely or in part by a Berlin or Brandenburg film production and/or have a thematic connection to Berlin. The screening of the films will be accompanied by film talks with authors, directors, producers and distributors, who will inform about its production strategies.
JURY:
FLORIAN PLUMEYER (* 1983 in Hannover), is a screenwriter and studied Theater & Media Studies in Erlangen and Athens as well as Screenwriting at the German Film and Television Academy Berlin. Internationally awarded short films by him include Thieves and Her Son. In addition, he was a recipient of the Nuemberg Writers’ Fellowship. For the feature film Alle Wollen Geliebt Werden, he and Katharina Woll were awarded the Förderpreis for Best Screenplay at Filmfest München. His collaboration with Christoph Hochhäusler Bis Ans Ende Der Nacht(2023) was in competition at the 73rd Berlinale and won the Silver Bear for Best Acting Performance in a Supporting Role for Thea Ehre.
SUZANNE PRADEL is a creative content producer, script consultant, agent, writer as well as a script expert for various European funders. She is a member of the European Film Academy (efa), the Association of Film Dramaturgy (VeDRA) and the European Women’s Audiovisual Network (ewa), whose “Female Scriptwriter’s Residency” she supervised as Script Consultant. She is also the founder of BuchScout & SerienScout Agency Berlin, which specializes in the development and marketing of European feature films and series. Thus, she was involved in the creation of successful and award-winning films, such as most recently at the Berlinale Competition 2023 Ingeborg Bachmann – A Journey Into The Desert by Margarethe von Trotta or the Gran Prix winner at the Tokyo International Film Festival Vera Dream Of The Sea by Kaltrina Krasniqi. She is active as a lecturer and speaker at international workshops and festivals (EAVE, Bosphorus Film Lab, Antalya Film Festival, ..)
KERSTIN POLTE is a director, screenwriter and part of the feminist filmmaker collective r.O.K.S. She completed her film education in Canada, at the HfG Karlsruhe and at the Zurich University of the Arts. She was also a scholarship holder at the Drehbuchwerkstatt München. Her films have screened at numerous renowned festivals, including the Locarno International Film Festival. Her feature film Wer hat eigentlich die Liebe erfunden? was awarded the Bavarian Film Prize, among others. She wrote and directed the TV film Immer der Nase nach (ZDF) and was part of the directing team for the 1st season of the series Wir (ZDF Neo/Mediathek). Furthermore, she developed and directed the series Becoming Charlie (ZDF Neo/Mediathek), which was nominated for the German Television Award and the Grimme Award, among others.
BuchScout is happy to announce that “LOS PEQUENOS AMORES” the latest film from Celia Rico who made a splash at the 2018 San Sebastian Festival with “Journey to a Mother’s Room,” has been acquired for international sales by Spain-based Latido Films.
Celia Rico won the Female Scriptwriter’s Residency Berlin – a collaboration between the European Women’s Audiovisual Network (ewa) and BuchScout Agency Berlin – in 2020 and was script advised by Suzanne Pradel.
The film was produced by Barcelona-based Arcadia Motion Pictures.
Rico’s second feature is set in a bucolic countryside. It weighs in as a mother-daughter two-hander sparked after strongly independent mother Ani falls over walking the dog and is forced to use a wheelchair to get around. Daughter Teresa cuts short a vacation to come to her side, their co-habitation grating and revealing multiple – sometime generational – differences as the film peels back the layers of their relation, exposing both women’s ambitions and fears.
Adriana Azores (“Grand Hotel,” “Velvet”) plays Ani, María Vázquez (“Eye for an Eye,” “Offworld”) is Teresa.
Spain-based platform Filmin, RTVE and Catalonia regional pubcaster TVC boarded the project early on in production. Rico’s feature is also backed by Spain’s ICAA and Catalonia’s ICEC, the territories’ film-TV agencies, as well as France’s CNC and European Union’s Media Programm. “Los pequeños amores” is scheduled for release in 2023.
BuchScout is happy to announce that Margarethe von Trotta’s new film about the life of Ingeborg Bachmann will celebrate its world premiere in competition at the Berlinale 2023.
Margarethe von Trotta, who was honored by the European Film Academy for her remarkable life’s work, created the film based on a project idea by Suzanne Pradel.
“Ingeborg Bachmann – Journey into the Desert” tells the story of Ingeborg’s love affair with Max Frisch, her journey to Egypt, as well as her radical texts and readings.
Filming took place in Cologne, Vienna, Zurich, Rome, Jordan and Luxembourg. Vicky Krieps as Ingeborg Bachmann and Ronald Zehrfeld as Max Frisch shine in the leading roles, and Tobias Resch, Basil Eidenbenz, Luna Wedler and Marc Limpach also star.
The film is a co-production of Heimatfilm (D), tellfilm (CH), Amour Fou Vienna (AUT) and Amour Fou Luxembourg (LUX). The film was funded by NRW, FFA, DFFF and Eurimages.